Transforming the future of news

A sustainable future for news organizations depends on diversifying revenue, gaining trust back, and fostering agile methodologies.

Working in digital news in 2023 feels a lot like ¯\_(ツ)_/¯ 

Constant changes and shifts raise a lot of strategic and operational questions regarding change management, workflows, tech…

The key is to understand change management is never fully done. Everything keeps changing all the time, it can’t be stopped. And humans are actually not naturally inclined to constant transformation and disruption. New challenges, like the popularization of generative artificial intelligence or an increasingly changing social media landscape, generate stress, discomfort and tons of uncertainty. 

Those who are excited about riding the wave of change are actually the weirdos, not the norm, most people, and particularly the stakeholders in news organizations making the key decisions, usually belong to the norm, the old guard, who feels threatened and exhausted by change. 

How do you get them on board? The modernization of a traditional work culture, in news and any other business, often only happens in a context of urgency, like after an acquisition or drastic layoffs.

Continue reading “Transforming the future of news”

News as a product

A comprehensive overview of what product management is and how it helps news organizations embrace innovation and user-centric design.

My landing in a product management role in 2022 was quite fortuitous. Did you search for “product manager” on YouTube? The videos from the channel Exponent prepare you well for a job interview, but mostly for ‘big tech’ organizations, like Meta, Microsoft or Amazon.

My only previous encounters with product managers were in the context of working in music labels and, with an editorial background, I was initially hesitant to consider news a ‘product’. 

But, first of all, what is a ‘product’? 

The founder of the News Product Alliance, Becca Aaronson, defines a product as “a good or service that creates an exchange of value”

Anita Zielina, the lead instructor in the Transformation Boost course I attended, defined product as “a function at the intersection of editorial, tech and business, that addresses user needs, provides excellent user experience and advances the overarching business strategy.”

When I’m asked about my most recent work experience in the multiple job interviews I have been doing recently, I usually use the definition that product management is “a bridge role that connects the audience, business and technology, with users in the centre.” 

Specific to news products and product management applied to journalism, product managers look at all aspects involved in the experience of producing and consuming news content.

Continue reading “News as a product”

AI for news, as written by ChatGPT

ChatGPT processes my class notes to uncover how artificial intelligence (AI) can be used for news, considering many ethical concerns.

The main ideas in this article were processed by ChatGPT based on my notes from the course at Craig Newmark J-School in New York. The first draft of the article has been later revised by a human (It’s me, hi!), adding a personal tone and voice, and ideas that the original version left out.

And links. I’ve added so many links for additional context.

More than out of laziness, this exercise is done to show that artificial intelligence (AI) is getting extremely good at delivering decent and presentable work, but there’s still a need for edits from a human that adds some sugar and spice, to differentiate the final product from the vast amount of bland content out there, making it somewhat unique.

When AI took off as a buzzword, like the metaverse or blockchain before, I was on the fence, initially. When the AI-generated ‘magic avatars’ flooded your feed I voiced my concerns very loudly over what that meant for artists’ work and who was profiting from unreferenced work.

Seven months later, out of cynicism or simply survival instinct, I’m trying to embrace this change. AI is here to completely challenge all jobs that involve creative work or data processing, and we better cautiously adapt. 

There is a clear need to legislate it, make sure there’s transparency on the datasets used and that original creative work is fairly recognized and compensated, but also an urge to welcome this inevitable shift.

Continue reading “AI for news, as written by ChatGPT”

Social media for news is dead

Canada’s Bill C-18 is a cautionary tale for news organizations that rely on social media to generate referral traffic.

As a journalist and digital media professional with expertise in social media management that wants to apply my skills in news organizations, these are difficult times to find a job.

Canada, where I lived and worked for more than four years now, is a cautionary tale for news organizations around the world on what can happen when most of your traffic relies on third-party social media platforms, like Facebook and Twitter, and is suddenly gone.

There was a time when Twitter was a reliable source for journalists to find and share information.

Facebook (and Instagram) were also a good place to find breaking news between pictures of your exes and invitations to that school reunion you didn’t want to attend. Facebook (now Meta) was investing in journalism, particularly local news, with their Journalism Project.

That ‘golden era’ for news content on social media was long gone before Elon Musk bought Twitter and Zuckerberg turned to vertical short video to compete with TikTok, but recent events have accelerated this shift.

Continue reading “Social media for news is dead”

TUBECON 2015: The idols of Finnish teenagers are now on YouTube

Tubecon, in Helsinki (Finland), is the biggest YouTube related event in Scandinavia. Read more about it and the success of YouTube in Finland in my article for the Foreign Correspondents’ Programme.

Kids don’t watch TV anymore; they watch YouTube instead. This statement is becoming common in many countries worldwide and Finland is not an exception: recent data show that 18% of Finns between 15 and 39 years of age watch YouTube every day.

The (Finnish) national YouTube community is in a continuous growth: 357 YouTube channels have more than 10,000 subscribers and 45 channels have got over 100,000 subscribers. Most of these channels are Finnish-speaking. Victor Potrel from YouTube HQ in London said that such a large community for a language of 5.5 million speakers is a unique phenomenon for the online video platform.

These channels represent a wide offer of diverse content. Video creators are developing a strong engagement with their audiences both through their videos and through social media profiles. “Is like meeting a friend”, Potrel said.

This strong engagement is what made Tubecon a reality: in 2013, some of the most successful Finnish YouTube creators were setting regular meet-ups with their fans, but when attendance to these informal gatherings was reaching 2,000 people, they realized that there is a need for a more structured event allowing a larger capacity. Tubecon was on the making.

Continue reading “TUBECON 2015: The idols of Finnish teenagers are now on YouTube”

#ffbcn: La fábrica de las ‘start-up’ de Barcelona

El 17 de septiembre se celebró el acto final de fàbrica futur barcelona (#ffbcn), una iniciativa del Ayuntamiento de Barcelona y la Obra Social “La Caixa” que pone el punto de mira en el futuro, incentivando diez proyectos de futuro de diez jóvenes emprendedores en diez ámbitos distintos. Hablamos con Bibiana Ballbé, comisaria de #ffbcn, y con tres de los participantes en #ffbcn.

Continue reading “#ffbcn: La fábrica de las ‘start-up’ de Barcelona”

I WANT MY MTV: Where did the “M” for “music” go?

The foundation of MTV as a “mood enhancer” and the replacement of music videos for reality TV-shows in the recent years.

In contemporary societies, the media is not only considered an entertainment or a source of information, it is part of human life and how humans socialize.

The media that people consume says a lot of who they are. For instance, political views are fairly reflected on the political views of the media outlets consumed. Media also influence interactions of humans on their daily activities. Think, for example, on how much of the topics on your daily conversations with friends or acquaintances are related to media or on how media influences current debates on social and political issues. As much as media seems inseparable from people’s life, it’s closely related to contemporary history, which is fairly reflected in the media.

Mass media and mass popular culture is assumed to be commercially motivated and is difficult to determine whether it reflects audience interest or intentionally shapes and manipulates them, according to the interest of those who produce it.

Celebrities are the myths of this time and many memories people has come from a song, a movie or even a TV channel.

Traditionally, aspects such as religion, family or work defined people’s identities, but this has gone in favor of different aspects such as leisure activities, consumer lifestyles and, specially, mass media. The media is partly responsible, furthermore, on how leisure or consumer lifestyles are defined. It is a big part of people’s identity, with several commonalities produced from shared experiences through mass media. It also defines collective imagery and memories: celebrities from the media are the myths of this time and many memories people has come from a song, a movie or even a TV channel, all different kinds of media. Continue reading “I WANT MY MTV: Where did the “M” for “music” go?”

Experimental Documentary: from the script to the video blog

Critical analysis over the processes of production and reception of experimental documentaries.

The video installation Script, by Brazilian artist Veridiana Zurita, was featured in Possible Futures (October 10-26th, 2013), the last activity of VOORUIT100, a six- month celebration for the 100th anniversary of Vooruit, the historic building in the city of Ghent (Belgium), currently used as a music venue, cafeteria and arts centre.

Script explores the relations between two women, a mother and a daughter. The daughter is Zurita and her mother is a psychoanalyst, based in Sao Paolo (Brazil).

The project is based in the meeting of these two women during two weeks, when they both recorded themselves on video while playing their social, familiar and affective roles, exploring themselves and the relation to the other. Continue reading “Experimental Documentary: from the script to the video blog”

VICE: The Hipster Media Empire

The business model of VICE Media Inc., from its foundation in 1994 to its expansion, in late 2013, through partnerships with Viacom and more.

Looking for a definition to hipsters, this is roughly what you’ll get: “Hipsters are hard to define”. Urban Dictionary gives, nonetheless, a fairly precise definition:

“Hipsters are a subculture of men and women typically in their 20’s and 30’s that value independent thinking, counter-culture, progressive politics, an appreciation of art and indie-rock, creativity, intelligence, and witty banter.”

Further, the definition includes: “Hipsters reject the culturally ignorant attitudes of mainstream consumers”. Mainstream media products are usually rejected by this sub-culture, too, and hipsters were seeking for media products that appeal to their interests. That is how hipsters found VICE and VICE editors found a fleet of needy consumers worldwide.

VICE's timeline
What is VICE? Screenshot from the SlideShare presentation (full presentation bellow).

In 2008, The Observer interviewed Shane Smith, VICE‘s co-founder, about the story of the magazine: “We wanted to be the first international voice for the universality of youth sub-culture,” Smith said. Continue reading “VICE: The Hipster Media Empire”