Fanfarlo busca el sentido a la humanidad.
En ‘Reservoir’ (2009), la banda londinense Fanfarlo presentó algunos temas épicos – como The Walls Are Coming Down, Ghosts o Fire Escape – con unos violines y trompetas beirutizadas que todavía resuenan en nuestra cabeza.
En ‘Rooms Filled With Light’ (2012), reemplazaron esos violines por sintetizadores y un imaginario inspirado en los clásicos de ciencia ficción.
Dos años después, en el recién salido ‘Let’s Go Extinct’ – del que ya escuchamos un prometedor anticipo hace unos meses con el EP ‘The Sea’ – parecen haber encontrado el equilibrio entre contenido y forma.
Continue reading “Fanfarlo – “Let’s Go Extinct””
Movie review of the French animated comedy-drama film Ernest et Célestine (2012), based on children’s books by the Belgian author and illustrator Gabrielle Vincent.
This is not the first time that anthropomorphized animals are used to show the glories and miseries of our society. The technique is as old as humanity and is tied close to a little mouse that became the icon for a major animation film company (and for the 20th century in general) or even further, with the earliest fairy tales.
In the traditionally crafted animated film Ernest & Célestine, it is shown through two main characters, a little mouse and a big bear, outsiders of their respective societies, living in parallel worlds on the surface and in the underground.
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The Kamloops Film Society (KFS) originally started in 1972, when film fans gathered to watch and discuss classic and current cinema. First known as Cariboo College Film Club, they neramed as Kamloops Film Society in 1994, under the Societies Act, and focused on three significant types of cinema – independent, classic and foreign – shown in weekly series that eventually became seasonal.
In the early years, the Society independently booked films with distributors and booking agents directly but in 1994 they entered the Toronto International Film Festival (TIFF) film circuit. Before the Kamloops Film Festival became a reality, in the early 1990’s, a PR officer, from the local ski resort Sun Peaks, approached the KFS with the idea of bringing the best of the Vancouver Film Festival to Kamloops.
Meanwhile, a Vancouver organization called ‘Moving Pictures’ headed by John Duppong, began a travelling film festival throughout the BC interior. In 1992, Duppong approached the KFS for support on Shadows on The Wall: The Meeting of the Waters Film Festival, an event held over three days in two separate venues on opposite sides of the city.
The partnership continued and, in 1996, the third edition of ‘Moving Pictures’ The Travelling Canadian Film Festival stopped in Kamloops for the first time, March 29-31, and included Canadian and French dramatic film released from 1990 to 1995 plus documentaries and short films. Three film and short film directors featured in the festival – Michael Gibson (Defy Gravity), Gary Burns (The Suburbanators) and James Genn (Direct Lines) – were invited to the special event Short Cuts & Long Shots, a workshop about getting started in filmmaking.
A year after, the Kamloops Film Society took up the role of ‘Moving Pictures’ and organized their own first KFS Film Festival. From 1997 to 2000, the first editions of the festival brought to Kamloops movies from Canada, United States, Belgium, Italy, United Kingdom and Spain. Directors such as Atom Egoyan (The Sweet Hereafter), Bruce Sweeney (Dirty) and Ryan Bonder (DayDrifit): producers like Rosamon Norbury (Better Than Chocolate) and actress Gabrielle Rose (The Five Senses) visited Kamloops, attended the showings and accepted Q&A periods.
Continue reading “‘A Little History’ of the Kamloops Film Festival”
Review of the play Curse of the Starving Class, written by the American playwright and actor Sam Shepard in 1978 and performed by students of the Theatre program at Thompson Rivers University (TRU).
Playwright and actor Sam Shepard wrote the play Curse of the Starving Class in 1978 but in the words of Wesley Eccleston, a professor with the TRU theatre arts program, it is still relevant because “families still struggle with the (same) challenges.” Eccleston directs the production, which starts Feb. 28 at the Actors Workshop Theatre in Old Main.
The characters are part of the Tate family, a dysfunctional American family where the dad, Weston (Michael Hogg), spends long periods away from home and comes back drunk and aggressive while son, Wesley (Justin Hall), pees on the floor of the kitchen, daughter Emma (Allison Clow) plans her escape and mother Ella (Alley Barton) wonders how to work it out and go to Europe.
“These characters are starving for the things they think will make them happy,” Eccleston said.
Continue reading “TRU Actors Workshop is ‘starving’”
Movie review of the German sociopolitical thriller Die Welle (2008), shown at a movie night organised by TRU Intercultural Council to discuss acceptance in social groups, unity, conformity, bullying and the chances of a dictatorship in first world societies.
German movie Die Welle (The Wave) was shown on campus at the TRU Intercultural Council’s second monthly event, held Wednesday, Nov. 21, at the Alumni Theatre in the Clock Tower. Approximately 50 students and some faculty left studying for midterms and assignments aside to enjoy an evening of film and discussion with free popcorn and drinks.
The Intercultural Council, which aims to integrate domestic, international and aboriginal students into the university culture, organized a movie night after an on campus DJ event last month.
“We wanted to do something that would be interesting, thought provoking, entertaining and [with] a cultural relevance,” said Andrew Dalgleish, a TRU student and member of the Intercultural Council.
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Review of the live show that Shred Kelly brought to Kamloops on a cold Wednesday night to introduce their second album In The Hills.
Coming from the East Kootenays of British Columbia, Fernie’s Shred Kelly visited Kamloops on Wednesday, Oct. 24 as part of their Fall Album Release Tour to perform songs from their second album, In The Hills, recorded in May and released in September.
Heroes Pub was more full than what could be expected on a cold Wednesday night. Supporting local band Van Damsel warmed up the stage offering a 40-minute set of their energetic indie-rock songs.
Shred Kelly started with the title track from its latest album, following that up with “Goodbye July.” The audience fervently joined, clapping and tapping to the mixture of folk, rock and country.
Continue reading “Shred Kelly folking on Heroes”