El concurso de Televisión Española ‘Saber y Ganar’, presentado por Jordi Hurtado, es ya un programa histórico, con un público muy fiel desde su primera emisión, en febrero de 1997.
El pasado domingo, 29 de enero de 2017, el barrio de Chinatown en Londres celebró el nuevo año según el calendario chino, el Año del Gallo. Me pasé por allí para compartir lo que sucedía desde la cuenta en Snapchat de Código Nuevo, y este es el resultado…
Tubecon, in Helsinki (Finland), is the biggest YouTube related event in Scandinavia. Read more about it and the success of YouTube in Finland in my article for the Foreign Correspondents’ Programme.
Kids don’t watch TV anymore; they watch YouTube instead. This statement is becoming common in many countries worldwide and Finland is not an exception: recent data show that 18% of Finns between 15 and 39 years of age watch YouTube every day.
The (Finnish) national YouTube community is in a continuous growth: 357 YouTube channels have more than 10,000 subscribers and 45 channels have got over 100,000 subscribers. Most of these channels are Finnish-speaking. Victor Potrel from YouTube HQ in London said that such a large community for a language of 5.5 million speakers is a unique phenomenon for the online video platform.
These channels represent a wide offer of diverse content. Video creators are developing a strong engagement with their audiences both through their videos and through social media profiles. “Is like meeting a friend”, Potrel said.
This strong engagement is what made Tubecon a reality: in 2013, some of the most successful Finnish YouTube creators were setting regular meet-ups with their fans, but when attendance to these informal gatherings was reaching 2,000 people, they realized that there is a need for a more structured event allowing a larger capacity. Tubecon was on the making.
El 17 de septiembre se celebró el acto final de fàbrica futur barcelona (#ffbcn), una iniciativa del Ayuntamiento de Barcelona y la Obra Social “La Caixa” que pone el punto de mira en el futuro, incentivando diez proyectos de futuro de diez jóvenes emprendedores en diez ámbitos distintos. Hablamos con Bibiana Ballbé, comisaria de #ffbcn, y con tres de los participantes en #ffbcn.
The foundation of MTV as a “mood enhancer” and the replacement of music videos for reality TV-shows in the recent years.
In contemporary societies, the media is not only considered an entertainment or a source of information, it is part of human life and how humans socialize.
The media that people consume says a lot of who they are. For instance, political views are fairly reflected on the political views of the media outlets consumed. Media also influence interactions of humans on their daily activities. Think, for example, on how much of the topics on your daily conversations with friends or acquaintances are related to media or on how media influences current debates on social and political issues. As much as media seems inseparable from people’s life, it’s closely related to contemporary history, which is fairly reflected in the media.
Mass media and mass popular culture is assumed to be commercially motivated and is difficult to determine whether it reflects audience interest or intentionally shapes and manipulates them, according to the interest of those who produce it.
Celebrities are the myths of this time and many memories people has come from a song, a movie or even a TV channel.
Traditionally, aspects such as religion, family or work defined people’s identities, but this has gone in favor of different aspects such as leisure activities, consumer lifestyles and, specially, mass media. The media is partly responsible, furthermore, on how leisure or consumer lifestyles are defined. It is a big part of people’s identity, with several commonalities produced from shared experiences through mass media. It also defines collective imagery and memories: celebrities from the media are the myths of this time and many memories people has come from a song, a movie or even a TV channel, all different kinds of media. Continue reading “I WANT MY MTV: Where did the “M” for “music” go?”
Profile of the independent filmmaker from Paris, the original creator of La Blogothèque’s Concert à Emporter (Take Away Shows).
Mathieu Saura, better known as Vincent Moon, is one of the greatest and more respected filmmakers you can find, nowadays, licensing his work under Creative Commons, allowing its use and remix for derivate works. His work is available for free on Internet, he is a nomade artist building an audience on social media and keeping his projects alive by donations (crowdfunding).
Early on his career – not using Creative Commons, yet – he became known adapting filmmaking style ‘cinema verité’ to document bands playing one or few songs off the stage, on acoustic, in streets, parks, flats… anywhere. This music video subgenre, that was known as ‘Concert à Emporter’, or Take Away Shows, started in La Blogothèque. The list of bands Moon’s lenses captured includes: Arcade Fire, Phoenix, REM, Sufjan Stevens, Andrew Bird, St. Vincent or Bon Iver.
The business model of VICE Media Inc., from its foundation in 1994 to its expansion, in late 2013, through partnerships with Viacom and more.
Looking for a definition to hipsters, this is roughly what you’ll get: “Hipsters are hard to define”. Urban Dictionary gives, nonetheless, a fairly precise definition:
“Hipsters are a subculture of men and women typically in their 20’s and 30’s that value independent thinking, counter-culture, progressive politics, an appreciation of art and indie-rock, creativity, intelligence, and witty banter.”
Further, the definition includes: “Hipsters reject the culturally ignorant attitudes of mainstream consumers”. Mainstream media products are usually rejected by this sub-culture, too, and hipsters were seeking for media products that appeal to their interests. That is how hipsters found VICE and VICE editors found a fleet of needy consumers worldwide.
In 2008, The Observer interviewed Shane Smith, VICE‘s co-founder, about the story of the magazine: “We wanted to be the first international voice for the universality of youth sub-culture,” Smith said. Continue reading “VICE: The Hipster Media Empire”